Retrieving buffed graf with QR codes

Berlin-based artist Sweza has started an interesting project: on walls that have been buffed, he pastes up a QR code that links back to a photo of whatever was there before. Sort of a virtual geocached spin on the Graffiti Archaeology meme, one layer at a time: GRAFFYARD.

(via Art Crimes)

Serge Gainsbourg’s wall

Serge Gainsbourg – animation des graffitis sur 5 ans du mur rue de Verneuil from Arnaud Jourdain on Vimeo.

This video, by Arnaud Jourdain, documents five years of the history of a graffiti wall in Paris dedicated to Serge Gainsbourg. What’s brilliant is the way he does it: instead of just playing back the photos in series, he isolates each individual tag, puts it on its own layer, and explodes the whole glorious mess out into space with 3D animation. It’s a beautiful, fresh take on the Graffiti Archaeology meme. The wall itself, with love notes and other hommages interspersed among the tags and wheatpastes, reminds me of the John Lennon wall in Prague.

Pixação vs. Graffiti in São Paulo

Just weeks after the legalization of graffiti (and re-criminalization of pixação) in Brazil, there’s more news on the split between these two subcultures. Some pixadores were not too happy with the commodification of street art, so they got together to tag up an entire gallery, walls, paintings, prints and all. Read on to see the flyer they distributed to organize the event. (Via Wooster Collective.)

Update: Wooster Collective got the photos from the Gallery’s Flickr stream, and if you follow that link you can see a long list of comments from Brazilians who are fans of either pixação or graffiti/street art. There may be some interesting discussions brewing in there, so if I find any choice bits I’ll try to post translations here later.

Continue reading Pixação vs. Graffiti in São Paulo…

Undercroft saved by the Prime Minister’s office?

A recent edit to the Wikipedia entry for “Queen Elizabeth Hall” added mention of the Undercroft, and Graffiti Archaeology’s coverage of it. Also linked is an article in Time Out London that credits the Prime Minister’s office with saving the Undercroft from development into shops:

Are some government ministers secret skateboarders? We think they must be. Back in January, we reported on rumours that the underpass of the Queen Elizabeth Hall on the South Bank was set to be developed into retail outlets.

Last month Downing Street responded to the campaign with a statement that read: ‘The Southbank Centre (SBC) is an independent arts organisation and decisions about the undercroft are a matter for them. [But] any activity that engages young people can have a positive impact on society, and the skateboarding community that has grown up around the undercroft has brought together people from various backgrounds, created a vibrant public space and added real value to the lives of many young people.’

London’s skaters are delighted. ‘It’s rad, obviously,’ says skateboarder Ninian Doff. ‘If skaters left the South Bank now, it’d be like the Tower losing its ravens – the place would crumble.’

The next battle for the skaters is to get the area returned to the size it was before the SBC boarded up two thirds of it to use as storage during the redevelopment of the Royal Festival Hall.

Also be sure to set aside 23 minutes of your day to check out this excellent documentary about the space. It succeeds wonderfully at explaining why a shared public space like this, with its own organically-grown street culture, is so important to the life of any city.

(found via this photo on Flickr.)

“Graffiti” to be legalized in Brazil?

Last week a law was passed in Brazil legalizing graffiti. But this doesn’t mean exactly what you may think. In Brazil, “graffiti” (grafite in Portuguese) refers not so much to the entire hip hop tradition of writing, but more specifically to colorful pieces, characters, abstractions, and other painted street art. In everyday speech, it’s often contrasted against pichação, which is Brazil’s home-grown style of tagging, so named because its first practicioners used tar (piche) stolen from construction sites. The semantic distinction echoes a sentiment I often hear here in the US: “I like the artistic stuff, but not, you know, those ugly scribbles.”

This distinction is part of what’s being put into law. What’s interesting about this law is that it appears to recognize the artistic and cultural value of the graffiti itself, not just the monetary value of the property it’s painted on. How will this play out in practice, I wonder?

Meanwhile, elsewhere in Brazil, graffiti is being taught in schools, recognized in an International Biennial, and receiving special protection from the buff. Sounds like a pretty civilized country to me.

Props and muito obrigado to Raquel Rabbit for the link, and for helping me out with the subtleties of Brazilian Portuguese. Read on for my poor (but better than Google’s) English translation of the first article above:
Continue reading “Graffiti” to be legalized in Brazil?…

Historic graffiti mural discovered in Manhattan building

Here’s an interesting article about some real graffiti archaeology! Apparently the son of a loft owner in SoHo discovered some old-school tags by some of the greats of the 80’s scene on a hidden wall in his building. Now a team of conservators is treating the wall like an archaeological dig, carefully extracting the portion of wall with the tags on it, which will be exhibited Thursday night in a gallery alongside work by Keith Haring, Jean-Michel Basquiat, Kenny Scharf, Ero and Fab 5 Freddy.

Click here for video. (warning: opens new window, has ads.)

(Via Graffiti News. Entire article after the jump.)

Continue reading Historic graffiti mural discovered in Manhattan building…

Love those layers…

NATE Milan Italy

Originally uploaded by jim and karla murray.

Check out these photos of the work of NATE from Milan, Italy. Apparently he does this by selectively cutting away each individual layer on a wall plastered with years’ worth of posters. It’s like a physical manifestation of what we do at Graffiti Archaeology, using an x-acto knife instead of Flash!

(via the photostream of Jim and Karla Murray, authors of two excellent books on New York graffiti: Burning New York and Broken Windows: Graffiti NYC.)

The Golden Age of Gang Graffiti

Florencia ‘71. Photo by KID DEUCE.

The most frequent question I get asked by strangers, when I tell them I’m interested in graffiti, is “isn’t that stuff all gang-related?” It’s hard sometimes to explain the difference between gang graffiti and the graf culture that emerged from the hip hop movement, though the difference is obvious to anyone who pays attention. I’m usually forced to sum it up with a broad generalization like “you can tell gang graffiti by the lack of artistry.”

That quip may be largely true these days in San Francisco, but it was not always so. Flickr user KID DEUCE has just posted an amazing set of photos of classic gang tags from East LA in the 1970’s. The calligraphy in some of these is stunning. You can see the origins of Chaz’s Cholo style here, and at the same time, you can see where SF gang graf got some of its basic ideas, even though it has lost most of the style. Check it out.

Update: Two new links on this subject. There’s Rekoe’s photoset of Chicano tags, shot by Gusmano Cesaretti, and also a great set of murals on BrownPride.com.

(via Wooster Collective.)

Happy New Year!

Happy New Year!

Originally uploaded by otherthings.

A little holiday sentiment, brought to you by Kode HTK of San Francisco. Look for lots of exciting new stuff to appear in this spot in the coming year!

Lessons from 11 Spring

Silver blockbuster by DYM. Photos in this layer by ireallylovecake.

The “grand closing” at 11 Spring has come and gone, and countless layers of art have been born and buried. The consensus from those who made it to the event is overwhelmingly positive, and you can feel those good vibes all the way out here on the west coast.

The exterior walls saw a lot of action, especially during the days of the event itself, and people took thousands of photos. This is great news for Graffiti Archaeology! You’ll be seeing the results up here on the site very soon.

One moment everyone is talking about is when two writers from the DYM Crew came by early one morning and painted a giant silver blockbuster across the whole western wall, obliterating years’ worth of work underneath. This was controversial to say the least, but it was without a doubt a bold move on their part. Rather than discuss it here, I’d like to point out a couple of excellent blog posts that go into the details of what happened when, and why.

First is A Blog Soup’s post, which is an amazing piece of citizen journalism: packed with videos, photos, first-person accounts from passersby and neighbors, and detailed comments from both HOST18 and Wooster Collective’s Marc Schiller. It’s worth reading all the way to the bottom to get a really three-dimensional picture of what happened.

The second is Jake Dobkin’s thoughtful analysis of how these walls ended up a complete mess, and why. His reference to the “tragedy of the commons” is spot on. For further discussion, see the comments on this photo, or the 11 Spring group on Flickr.