Retrieving buffed graf with QR codes

Berlin-based artist Sweza has started an interesting project: on walls that have been buffed, he pastes up a QR code that links back to a photo of whatever was there before. Sort of a virtual geocached spin on the Graffiti Archaeology meme, one layer at a time: GRAFFYARD.

(via Art Crimes)

Serge Gainsbourg’s wall

Serge Gainsbourg – animation des graffitis sur 5 ans du mur rue de Verneuil from Arnaud Jourdain on Vimeo.

This video, by Arnaud Jourdain, documents five years of the history of a graffiti wall in Paris dedicated to Serge Gainsbourg. What’s brilliant is the way he does it: instead of just playing back the photos in series, he isolates each individual tag, puts it on its own layer, and explodes the whole glorious mess out into space with 3D animation. It’s a beautiful, fresh take on the Graffiti Archaeology meme. The wall itself, with love notes and other hommages interspersed among the tags and wheatpastes, reminds me of the John Lennon wall in Prague.

What’s keeping me busy

Updates have been kinda slow on the site lately, mostly due to this new project I’ve been working on (see above). This is not a personal blog, but I had to post this shot here because of the sweet T-shirt Nate1 sent us from New Skool. Go check out his other wares, there are some excellent designs (I especially love the Krylon and headphones shirts!) Thanks Nate!

Calligraphic Packing

What do you call a pocket full of chisel-tip markers? Calligraphic Packing! It’s also the name of a computer graphics research project from the University of Waterloo. My friend Craig Kaplan, a professor there, is a pioneer of “computational calligraphy”, a brand new research area that’s about to grow in some very interesting directions. Craig’s been interested in graffiti for a long time, for a lot of the same reasons I am. We each have our own ways of studying it, and his way is to take it apart, learn what makes it work, and write software that embodies that understanding. This project, led by Craig’s student Jie Xu, is the first step in what I hope will be a long and fruitful quest, as Craig puts it, “to probe the nature of letterforms and legibility”.

Style as Superpower

There’s always been a strange connection between the graf world and the world of superheroes. Maybe it’s the secret identities, or the way things tend to happen at night. Jonathan Lethem brought out a piece of it in his novel The Fortress of Solitude, which is really worth reading. Now there’s a group of animators approaching the same idea from another angle: a hiphop/anime hero who can absorb energy from graffiti walls, and use the style to fight his enemies. Check out the teaser video: Blokhedz. Arrow fight! Gotta love it.

(via Cartoon Brew)

Call 811

Original photo by Jimski

Spraypaint, subway tunnels, and layers of history.

I could be describing Graffiti Archaeology here, but I’m actually talking about something entirely different: an excellent post on the Pruned blog. You know those cryptic fluorescent markings you see on streets and sidewalks all over town? They’re surveyors’ marks, and if you know how to read them, they’re a map to all kinds of subterranean structures. Read on.

(Thanks to nix for this link.)

Kaso’s Regenerative Graffiti

Italian abstract graffiti artist Kaso has a new project called Regenerative Graffiti. Instead of just going over earlier pieces, he modifies them by adding his own elements:

Regenerative Graffiti is an experimental project, is all about create new shapes of Graffiti from previous Graffiti artworks. This mutant process starts with the idea to keep alive the previous Artist’s soul, otherwise completely deleted and would likes experimenting new figures from recycling and reinterpreting Graffiti.
Regenerative Graffiti regenerates color schemes, new visual patterns and reinvent new composition, makes abstract shapes and reinvents the visual urban landscape over time.

He also credits Graffiti Archaeology as being an inspiration for the project. I can’t wait to see what he does next with it!

Earlier work by Kaso: graffitinet.com, aerosolart.it

Graffiti type foundry: Handselecta

When I first designed this site, I spent a bit of time hunting around for fonts to use for the main logo. I considered using a “graffiti” font, but the few that were available were very disappointing. So I’m glad to hear that there’s now a type foundry that’s doing the job right: Handselecta. Their fonts are based on the handstyles of real writers like Giant, Mene One, and Espo, each one a collaboration between the writer and the font designer. Their aim is to bring the diversity of different cities’ characteristic handstyle traditions into the world of type.

PingMag has an excellent interview with Christian Acker, the foundry’s founder, full of choice quotes like this one on the relation between calligraphy and typography:

Type doesn’t replace calligraphy. But then it doesn’t intend to either. Type is a different practice. While calligraphy demands a rigor and practice of form it is also about the freedom of form and handwritten quality. Type design is about finding the ideal of each letterform, so that when letters are repeated they create a rhythm and color distinct and natural to each typeface.

They also have a quality blog, with interesting type-related posts like this one by Mene One about Cholo style influences. Check it out!

William Gibson on graffiti

The Candy Factory, November 27, 2005

William Gibson, the original poet of cyberpunk, looks at “the mellowness of weathered, multi-level graffiti” and is reminded of “some endangered species of moss”. I love this comparison, as I’ve always seen graffiti as a kind of living thing with its own ecosystem. The particular graffiti he’s looking at is on the surface of a building known as the Candy Factory, not too far from 11 Spring Street. Above is a photo of the same spot taken just over a year ago.

This isn’t the first time graffiti has figured in Gibson’s world. A reader in the forums pointed out that there’s a description in All Tomorrow’s Parties of an actual living tag made of smart paint, which battles against graffiti-eating bots embedded in the wall itself. How soon before life imitates art?

Full Gibson quote below the fold.

Continue reading William Gibson on graffiti…

Glue Glyph Graf

four layers at once

Originally uploaded by otherthings.

Making my usual rounds last weekend, I stumbled on this glue scar left behind by a fallen parking sign. What a moment of zen: four paint layers all talking at once, and even the glue wants in on the conversation.

Within minutes of posting this on Flickr, a kind soul pointed me to the Glue Glyphs group. Goes to show: no matter what kind of freak you are, you’ll find your kin on the internet.